This integration is currently available in the new v9.4 releases of Live Looks and Live Assist, and in the open beta of Live FX. The festival was held in early summer, and the weather threw everything at the production, from cold and windy nights through rain to steamy and hot conditions, “but at all times the Brompton processors performed flawlessly, and the series was a resounding success,” said Gabriel.Assimilate announced that its innovative Live Looks, Live Assist, and Live FX software solutions now support integration with Brompton Technology’s Tessera S8 and SX40 LED processors, enabling live colour grading and compositing in virtual production (VP) workflows. The fact that Novatech is local means that they not only know this venue and site, they’ve been able to do recces at short notice, they’ve been able to plan, meet, get onto issues as they arise, and be out on site on a regular basis with the attention to detail that has been critical for such a big undertaking.” It’s hard to imagine how we would’ve delivered this project without a local partner like Novatech on the ground. Orchestras are unique beasts which have very special needs, Novatech has been brilliant at understanding those and delivering on them. “Having worked with Novatech for over a decade, they really understand our business. “Festival of Orchestra is possibly ASO’s largest ever undertaking,” said Vince Ciccarello, managing director of ASO. We always know when using Brompton processing that we will have trouble-free setup over complex screen layouts, unbeatable reliability, and can meet the most stringent visual requirements.” It was only natural that we would get involved in their inaugural FOFO concert series. “We understand their production values and standards, and their commitment to presenting a high-quality product for their diverse audience. “Novatech has been working with the ASO for over a decade, and in a formal partnership for the past six years,” said Gabriel. Novatech also supplied all equipment for the technical production of the event, including rigging, audio, lighting, video and comms. Production designer Jayden Sutherland, from The Bakery Design Co, was appointed by the ASO to oversee all stage, lighting and video aspects of the event. The technical delivery was a collaboration between the ASO production team, Novatech and event rigging specialist Nexstage. This proved incredibly helpful as we had different sections of input going to different screens on every performance.” “The Tessera software and interface is so easy to use in a show environment, with its live canvas making complex multi-screen setups extremely easy to coordinate and align. “Brompton is an industry leader and simply gives incredible results for the LED screens,” said Ashley Gabriel, director of sales and marketing at Novatech. Novatech deployed two 4K Tessera SX40 LED processor and four Tessera XD 10G data distribution units for the main screens, along with a Tessera S4 LED processor for an additional surtitle screen for one performance. The centre display was flanked with two IMAG side screens. The central LED screen was used as a visualisation tool displaying otherworldly shapes that pulsated with the music, as well as pre-recorded video footage and holding images. Roe Visual Carbon CB5 panels were selected to complement this musical programme. The aim of the festival was to bring orchestral music to a broader audience, opening with a traditional classical concert, followed by the Ministry of Sound Classical, the epic Carmina Burana with massed choirs, highlights from Broadway musicals, a rock band fusion with The Angels, and culminating with the BBC’s Blue Planet II, comprising a score by Hans Zimmer and a special guest narrator. Established in 1936, the ASO has a membership of 75 world-class musicians.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |